I like studying history, I really do. I'm one of those people who thinks an hour long lecture on the finer points of Roman politics sounds interesting, at least most of the time. But there's something I learned from being saturated with all these details and conflicting academic perspectives: the key issues are often pretty … Continue reading History: if you want the crux of it, ask a layman
Last week it might have seemed that I thought very little of the guard Long Point. Not true! It's incredibly useful so long as you understand its strengths and weaknesses (like all guards) and use it effectively. So if running into battle in Long Point isn't the best way to use it, what is? To … Continue reading The Benefits of Long Point
Have you ever heard of Baudolino? Probably not. How about Umberto Eco—you know, the guy who wrote The Name of the Rose? Baudolino is another of his books though less well-known, and for good reason, it sucks. But The Name of the Rose was such a good book—it even became a movie (the sign of … Continue reading Baudolino—when good writers lose the plot
This might not be something you think of immediately when you start any kind of historical fencing. Most sparring takes place in duels between two people. You start off at a nice, safe distance from each other and then step into measure when you're ready. Group combat is fundamentally different. If you don't reach the … Continue reading Charge!—The best guards for running into battle
The two biggest mistakes you can make learning a new language or studying history are thinking, "They're exactly like me," and, "They're nothing like me." It's so natural to drift between these two extremes in both scenarios and yet I think that the more we're conscious of our tendency to think in this way, the … Continue reading Studying history is like learning a new language
No. Well that was easy. The answer's still no but I'd like to explore why that's the case. I'd also like to explore why, if you're so unlikely to succeed, we have sections on this in historical manuals. If you are so likely to fail, what's the point in trying at all? So let's back … Continue reading Knife vs sword—do you have a hope?
"At break of day, when you are reluctant to get up, have this thought ready to mind: 'I am getting up for a man's work'... Or was I created to wrap myself in blankets and keep warm? But this is more pleasant. Were you born then for pleasure—all for feeling, not for action?...But one needs … Continue reading Give up and sleep in… or not—Marcus Aurelius
I hear so many instructors telling people off for trying to block a cut by swinging wildly into it. Is that really a problem though? And if it is, does that mean counter-cutting is useless or is there a way to do it properly? So yeah, it probably won't surprise you to learn that swinging … Continue reading Counter-cutting—newb error or legit technique?
What do you think? Is a good novel a mix of poetry and prose? Should it be strictly prose and any poetry in it is the sign of a decadent amateur? Is it a continuum and it's more about balance, or are there certain genres where you'll get away with a mix and others not … Continue reading Poetry and Prose—Stephen Lawhead
The four-move checkmate of the fighting world—if you don't know it yet, you should and if you do already, it's worth discussing in depth. Who knows? There might be ways you can improve it. What is it though? At its heart, it's the most basic feint you can do. What's a feint? A feint is … Continue reading Feint high, strike low—the oldest trick in the book